Back in the days when dinosaurs still roamed this blue orb, sketches at conventions were a whole different thing. Artists didn’t charge. Yes, can you believe there was ever such a time. It was back then that almost all the comic writers I knew would have sketch books where they would ask artist friends to do a drawing. Seeing what other artists had done before, it became wonderfully competitive with artists doing amazing stuff. I was lucky enough to have a sketchbook at that time and so I got some pretty great art myself. I never filled the book as Tony Harris had it for like 20 or so years (I am not exaggerating) and by the time I got it back, artists were charging for their sketches (as they should) so that ship had definitely sailed.
Anyway, going for “sail” to Sale, I thought the first thing I’d show was a lovely piece by Tim Sale soon after we discovered we both had a deep and abiding love of all things Kubert, especially his masterwork Enemy Ace. Boy, I was lucky to know Tim. Sad he’s not around for me to remind him that he did this. Anyway, enjoy.
And he's Kevin Matchstick (Mage) with Supes, by my friend, the one and only Matt Wagner (who also gave me my first American work on Grendel Tales: Four Devils One Hell, although not published until years after it was...
I’ve been lucky enough to work with Steve Yeowell a few times, although these was many years back now. He was the artist on my first published American work “67 Seconds” (although it was certainly not my first American...
I used to be pretty good pals with Steve Rude back in the early 90s when we both lived in L.A. That’s why it made perfect sense that he’d be the first artist to do something in my sketchbook. I asked for The Guardian...
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